Last Year at Marienbad (The Criterion Collection) [Blu-ray]

Memory is imagination pinned down
Last Year at Marienbad is a "love story," although not a "story" in the conventional narrative sense, since the fragmented images cannot be scanned chronologically. The "story" is not told rather it is described using a juxtaposition of physical images, through memories and associations, projected through a space-time continuum, which destroys both linear chronology and fixity. Resnais built a captivating puzzle-like film, a labyrinth, which at time resembles the optical illusions of Escher or the surreal world of Magritte. Any attempt to provide a satisfying chronology for the film would contradict the assumptions upon which it was built, as well as the manner in which it is presented.

Marienbad is a cine-roman, a cinematic novel, that is, a particular way to tell a story, which by definition involves space and time. It is not simultaneously a novel and a film, but it uses certain techniques of the novel and of the cinema. Resnais uses a variety of cinematographic...

Don't think, Just Look.
LAST YEAR AT MARIENBAD is virtually without peer in the cinema. It has caused a great deal of controversy over the years, with some claiming it as one of the greatest films ever made, others claiming that it must be some sort French joke on the audience. For those of you familiar with French films in general, you know that bad French movies tend to consist of a few characters discoursing about love in a stilted, soap-opera-like manner. Set against this context, LYAM is indeed a joke, a brilliant satire. The banality of the love triangle also pokes very Gallic fun at the annoying cliches of Hollywood melodrama. Part of the confusion caused by this film comes from the standard nature of the plot - our expectations about how this type of film should work are constantly set up, then thouroughly compromised from the opening sequence of the movie. Viewers are rarely cognizant of just how much we have internalized standard Hollywood techniques as the ONLY way of using cinematic forms...

Once again, Last Year at Marienbad, forever.
Be warned up front that this movie will not suit everyone. This is film as art and it is in black and white; there are those who hate it and those who love it. It is subtitled in English but you will enjoy it even more if you understand French because the off voice is often hauntingly poetic. It was filmed on location in Bavaria, Germany, near Munich at the palaces of Nymphenburg and Schleissheim. The script is relatively easy to find both in French, L'Annee derniere a Marienbad, and in English under a title slightly different from the one of the movie: Last Year in Marienbad.

I greatly admire and love this movie; I believe it to be a masterpiece of French cinema. This is a work that you'll watch over and over and of which you will not tire. A labyrinthian intrigue unfolds in an icily beautiful sprawling baroque palace --a dream-like deluxe palace hotel where tuxedos and evening dresses are de rigueur . Along with the protagonists you will enjoy losing yourself over and...

Click to Editorial Reviews